Right now it is Autumn Equinox. The following post was written 6 months ago at the last equinox.
Tomorrow is
another equinox, and something is stirring inside. I haven’t written here yet about the
importance of the oral tradition in my life.
I blogged a poem yesterday that arose out of a dream:
By Heart
The poem is not
your friend.
The poem is a pest.
It gets under
your skin and
nestles down
inside you.
You would like it
to go to sleep,
give you a break,
but the poem
tosses and turns,
throwing off its
blankets to expose
this line or
that.
The poem does not
care about you.
It is looking for
a home,
and when it finds
one in you,
it will move in
for good, or at least
for a long stay.
If you ignore it,
the poem will pout
and keep tapping
you on the shoulder.
The poem will
tell you,
“Here.
I belong to you.”
The poem doesn’t
care who wrote it,
only who gives it
residence.
The poem
will
pick at your
scabs,
make you cry,
yell in your
face.
Then it will pat
your back and say,
“There, there.”
As long as the
poem includes
one line of
mystery, it will continue to
niggle at your
thoughts,
tug at your
heart,
poke you in the
gut.
Repeatedly.
But although it
isn’t your friend,
the poem will be
your companion.
It will move you,
agree with your
deepest thoughts,
tell you if you
are on track.
Even if you
forget one of its lines,
the poem will
reveal the lesson
in that omission.
The poem will
be
your teacher.
And you will love
it.
What is it about
the oral tradition that feels so important, especially in these perilous
times? Part of me thinks it is too
insignificant to have much impact on the world, but, really, how do we know what
impact something will have?
Re-storying/re-storing the world isn’t a small thing, so I need to stop
discounting it. It feels right. It nourishes my soul and, at the minimum,
helps me feel more oriented to what is real and important. Our big idea is this: We are attempting to restore the soul of the world.
We learn poems by
heart because we love them. Because they
become a part of us, and can, in fact, work on us from the inside. Here’s an example. I had heard Theodore Roethke’s In a Dark Time a number of times, found
it intriguing and deep, but was never moved to learn it. Then, when at the teacher’s two years ago, it
came into my head, and I absolutely had to learn it. Here it is:
In a
dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood--
A lord of nature weeping to a tree.
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
What's madness but nobility of soul
At odds with circumstance? The day's on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall.
That place among the rocks--is it a cave,
Or a winding path? The edge is what I have.
A steady storm of correspondences!
A night flowing with birds, a ragged moon,
And in broad day the midnight come again!
A man goes far to find out what he is--
Death of the self in a long, tearless night,
All natural shapes blazing unnatural light.
Dark, dark my light, and darker my desire.
My soul, like some heat-maddened summer fly,
Keeps buzzing at the sill. Which I is I?
A fallen man, I climb out of my fear.
The mind enters itself, and God the mind,
And one is One, free in the tearing wind.
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood--
A lord of nature weeping to a tree.
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
What's madness but nobility of soul
At odds with circumstance? The day's on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall.
That place among the rocks--is it a cave,
Or a winding path? The edge is what I have.
A steady storm of correspondences!
A night flowing with birds, a ragged moon,
And in broad day the midnight come again!
A man goes far to find out what he is--
Death of the self in a long, tearless night,
All natural shapes blazing unnatural light.
Dark, dark my light, and darker my desire.
My soul, like some heat-maddened summer fly,
Keeps buzzing at the sill. Which I is I?
A fallen man, I climb out of my fear.
The mind enters itself, and God the mind,
And one is One, free in the tearing wind.
If this isn’t a dark time, if I haven’t myself
been in a dark time, then dark times don’t exist. I needed that poem, and right away. It’s a mystery. And I have to say, the poem hasn’t let me go
all of this time. I’ve recited it at
salons and at Rumi’s Caravan. I’ve
repeated it to myself over and over. The
fact that some lines are mysterious and not totally apparent only makes it more
intriguing, and I wrestle with it. Also, it has one of the best
lines of all time – “What’s madness but nobility of soul at odds with
circumstance.” Brilliant.
My SoulCollage® card for Eleusis -
Persephone's entrance to the underworld
I have been in
the underworld for quite a while. Years, really. The
world itself feels underworldly and full of mortal demons. But it is Spring equinox tomorrow, and I feel
– maybe, just maybe – a hint of rising.
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